moartea face cu mâna... nebuna, de Doria Șișu ▲ ALTCULTURE MAGAZINE Nr.108 8/2026 ▲ ABSTRACT Title: moartea face cu mâna... nebuna (death waves its hand... the crazy one) Author: Doria Șișu Source: ALTCULTURE MAGAZINE, No. 108, 8/2026 Synopsis and Themes This poem is a striking, fragmented, and highly meta-textual exploration of trauma, repressed memories, and the agonizing process of writing poetry itself. It masterfully blends brutal, surreal imagery with an intruding, cynical voice—acting either as an internal critic or an imagined editor—that constantly interrupts, mocks, and judges the poetic act. Key Ideas • Visceral Trauma and Memory: The poem opens with violent, surreal metaphors—a giant blade rolling through the streets and blood-stained hands that represent "forgotten and murdered memories." It later addresses the chilling normalization of trauma and assault, describing them with a jarring sense of detachment. • The Meta-Poetic Dialogue: What makes the piece unique is the continuous disruption by a second voice. This critical presence breaks the fourth wall, demanding "mystery" and "poetic breath," calling out "clichés," and pitying the author who is "thinking she makes poetry" while stealing words from her past. • Dissociation and Defense Mechanisms: The speaker exhibits profound emotional disorientation, questioning their own subconscious reactions ("I realized I laugh in my sleep / or is sleep laughing in me?"). • Isolation as a Conclusion: The final lines shift to a poignant, quiet resignation. The narrator retreats into darkness, building walls of stones around their knees in a futile, heartbreaking attempt to speak of love to inanimate objects.
Polul de Putere (IV) ▲ ALTCULTURE MAGAZINE Nr.108, 08/2026 ▲
Polul de Putere (IV) de Claudiu Iordache ▲▲▲ ALTCULTURE MAGAZINE Nr.108, 8/2026 ▲▲▲ Noi mai credem încă în cultură! ABSTRACT Title: The Pole of Power (Part IV) Author: Claudiu Iordache ALTCULTURE MAGAZINE, No. 108, 8/2026 (excerpt from the volume Polul de Putere, IRINI Publishing House, 2002) Synopsis and Themes The essay analyzes the deep mechanisms of political and social power, viewing it not merely as a structure of domination, but as an autocratic "monster" and a fundamental source of existential nonsense. The author highlights the shift from old class conflicts to a revolt of dispossessed nations and masses against predatory globalization. Key Ideas - The Revolution of the Future: Massive migration from impoverished populations is interpreted as a form of retaliation against global inequalities and the unyielding privileges of the developed world. - Critique of Globalization and the American Model: Drawing on thinkers such as Riccardo Petrella, Octavian Paler, and René Guénon, the text warns against the danger of cultural uniformity, arid consumerism, and the loss of humanity's profound restlessness for being. = Original Violence and the Structure of Power: The author explores the connection between violence, libido, power dynamics, and birth (invoking Françoise Dolto), emphasizing that power is always an excess exercised over a deficit of autonomy. - The Decay of Despotism: The essay concludes with a powerful literary metaphor inspired by Gabriel García Márquez’s The Autumn of the Patriarch, illustrating the absolute loneliness, degradation, and moral void into which the pole of power ultimately collapses.
CONVOIUL (XIV) ▲ ALTCULTURE MAGAZINE Nr.107, 07/2026 ▲
CONVOIUL (XIV) by Gheorghe Schwartz Translated by Eugene Matzota ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲ Noi încă mai credem în cultură! Abstract: In "CONVOIUL (XIV)", published in ALTCULTURE Magazine (no. 107, 2026), author Gheorghe Schwartz and translator Eugene Matzota present an excerpt centered on the protagonist's profound disorientation, paranoia, and psychological exhaustion following his departure from the mysterious Convoiul. Plagued by unsettling dreams of marching alongside shadowy guards and shifting figures, the protagonist wakes in his hotel room to find his locked door mysteriously ajar. Amid blinking signals from a neighboring building and a pervasive fear of losing his sanity or failing an unseen psychological test, he navigates the hotel spaces and encounters fellow survivors. Blending surreal psychological tension with kafkaesque uncertainty, the narrative explores isolation, memory loss, and the fragile boundaries between reality and hallucination.
Drumuri la mănăstiri (II) – Fragment din ”Omul de cenușă” ▲ ALTCULTURE MAGAZINE Nr.107, 07/2026 ▲
Drumuri la mănăstiri (II) by Nicholas Jordan ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲ Noi mai credem încă în cultură! Abstract: In "Drumuri la mănăstiri (II)", published in ALTCULTURE Magazine (no. 107, 2026) as an excerpt from "Omul de cenușă", author Nicholas Jordan chronicles a tour group's journey through the winding roads of the Prahova Valley, Brașov, Bran, and Sighișoara. Set against the stark backdrop of late-communist Romania, the narrative follows an eclectic mix of Western tourists obsessed with vampire myths and Count Dracula, led by an observant guide named Nic and a silent, enigmatic driver. Blending sharp sociological observation with atmospheric travelogue, the text explores the clash between romanticized literary expectations and the grim, melancholic realities of local daily life. From chaotic medieval banquets and damp lodgings to encounters with historical landmarks like the birthplace of Vlad Țepeș and the wooden staircase of Sighișoara, the narrative reflects on isolation, systemic oppression, and the peculiar ways foreign travelers seek out fantasy within a deeply constrained world.
MOROIUL, de Nicolaie Dincă ▲ ALTCULTURE MAGAZINE Nr.107, 07/2026 ▲
MOROIUL by Nicolae Dincă ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲ Noi mai credem încă în cultură! Abstract: In "Moroiul", published in ALTCULTURE Magazine (no. 107, 2026), author Nicolae Dincă crafts a rich, atmospheric narrative steeped in the folklore, rustic mythology, and superstitions of the Olteț valley. Set against the bleak backdrop of a freezing November night, the story follows two local fiddlers, Vasile al lui Biță and Nelu, as they navigate a disorienting fog after performing at a raucous, decadent party hosted by a local politician. Blending dark rural realism with elements of the uncanny, the text captures the psychological descent of the two musicians into profound terror when they mistake a decaying, wind-beaten tree stump for a terrifying phantom or "moroi" demanding music. Through vivid dialogue, ancestral echoes of outlaws like Biță Duduveică, and a masterful shift from supernatural dread to sobering daylight realization, the narrative explores the fragility of human perception, the haunting weight of solitude, and the timeless power of folklore in the Romanian countryside.
Dar viața ta?, de Doria Șișu ▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲
Dar viața ta? de Doria Șișu ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲ Noi mai credem încă în cultură! Abstract: In the excerpt from "7 ani", titled "Dar viața ta?" and authored by Doria Șișu, the text delivers an intense, deeply introspective monologue on existential solitude, maternal love, and the heavy burdens of memory. Framed through a poignant dialogue with an unseen interlocutor, the narrative explores a life viewed as accidental and uncelebrated, haunted by the realization of lost time and the painful weight of self-reckoning. The excerpt captures a raw emotional reckoning with regret, focusing on an unconditional, all-consuming love for a daughter and a partner—the two beings for whom the narrator would sacrifice everything. Through lyrical vulnerability and poignant imagery of longing, the text reflects on the inevitability of mortality, the desire to transcend physical absence to remain a comforting presence like rain or wind, and the quiet exhaustion of a soul coming to terms with its own deeply felt destiny.
Polul de Putere (III) ▲ ALTCULTURE MAGAZINE Nr.107, 07/2026 ▲
Polul de Putere (III) de Claudiu Iordache ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲ Noi mai credem încă în cultură! Abstract: In "Polul de Putere II", published in ALTCULTURE Magazine (no. 107, 2026), author Claudiu Iordache delivers a profound philosophical critique of contemporary power structures, state mechanics, and the psychological subjugation of the modern individual. Challenging Francis Fukuyama’s premise on the "End of History," the essay argues that history continues to be driven by the unyielding expansion of power and the commodification of human existence. Drawing upon a rich tapestry of philosophical and sociological thought—including thinkers like Umberto Eco, Zygmunt Bauman, Friedrich Nietzsche, Erich Fromm, and John Gray—Iordache examines how the American-led model of hyper-competition and global capitalism fosters a culture of mass conformity, alienation, and moral exhaustion. The text explores the tragedy of the "insignificant man," the docile citizen who willingly trades liberty for security, consumption, and systemic servitude. Ultimately, the essay contrasts the destructive allure of centralized power with the redemptive, quiet resistance of authentic creation and spiritual autonomy, warning that a civilization defined solely by profit and market logic risks perishing from the very weight of its own mechanical success.