CONVOIUL (XIV) by Gheorghe Schwartz
Translated by Eugene Matzota
▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲
Noi încă mai credem în cultură!
Abstract: In „CONVOIUL (XIV)”, published in ALTCULTURE Magazine (no. 107, 2026), author Gheorghe Schwartz and translator Eugene Matzota present an excerpt centered on the protagonist’s profound disorientation, paranoia, and psychological exhaustion following his departure from the mysterious Convoiul.
Plagued by unsettling dreams of marching alongside shadowy guards and shifting figures, the protagonist wakes in his hotel room to find his locked door mysteriously ajar. Amid blinking signals from a neighboring building and a pervasive fear of losing his sanity or failing an unseen psychological test, he navigates the hotel spaces and encounters fellow survivors. Blending surreal psychological tension with kafkaesque uncertainty, the narrative explores isolation, memory loss, and the fragile boundaries between reality and hallucination.
Drumuri la mănăstiri (II) by Nicholas Jordan
▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲
Noi mai credem încă în cultură!
Abstract: In „Drumuri la mănăstiri (II)”, published in ALTCULTURE Magazine (no. 107, 2026) as an excerpt from „Omul de cenușă”, author Nicholas Jordan chronicles a tour group’s journey through the winding roads of the Prahova Valley, Brașov, Bran, and Sighișoara. Set against the stark backdrop of late-communist Romania, the narrative follows an eclectic mix of Western tourists obsessed with vampire myths and Count Dracula, led by an observant guide named Nic and a silent, enigmatic driver.
Blending sharp sociological observation with atmospheric travelogue, the text explores the clash between romanticized literary expectations and the grim, melancholic realities of local daily life. From chaotic medieval banquets and damp lodgings to encounters with historical landmarks like the birthplace of Vlad Țepeș and the wooden staircase of Sighișoara, the narrative reflects on isolation, systemic oppression, and the peculiar ways foreign travelers seek out fantasy within a deeply constrained world.
MOROIUL by Nicolae Dincă
▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲
Noi mai credem încă în cultură!
Abstract:
In „Moroiul”, published in ALTCULTURE Magazine (no. 107, 2026), author Nicolae Dincă crafts a rich, atmospheric narrative steeped in the folklore, rustic mythology, and superstitions of the Olteț valley. Set against the bleak backdrop of a freezing November night, the story follows two local fiddlers, Vasile al lui Biță and Nelu, as they navigate a disorienting fog after performing at a raucous, decadent party hosted by a local politician.
Blending dark rural realism with elements of the uncanny, the text captures the psychological descent of the two musicians into profound terror when they mistake a decaying, wind-beaten tree stump for a terrifying phantom or „moroi” demanding music. Through vivid dialogue, ancestral echoes of outlaws like Biță Duduveică, and a masterful shift from supernatural dread to sobering daylight realization, the narrative explores the fragility of human perception, the haunting weight of solitude, and the timeless power of folklore in the Romanian countryside.
Dar viața ta? de Doria Șișu
▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲
Noi mai credem încă în cultură!
Abstract:
In the excerpt from „7 ani”, titled „Dar viața ta?” and authored by Doria Șișu, the text delivers an intense, deeply introspective monologue on existential solitude, maternal love, and the heavy burdens of memory. Framed through a poignant dialogue with an unseen interlocutor, the narrative explores a life viewed as accidental and uncelebrated, haunted by the realization of lost time and the painful weight of self-reckoning.
The excerpt captures a raw emotional reckoning with regret, focusing on an unconditional, all-consuming love for a daughter and a partner—the two beings for whom the narrator would sacrifice everything. Through lyrical vulnerability and poignant imagery of longing, the text reflects on the inevitability of mortality, the desire to transcend physical absence to remain a comforting presence like rain or wind, and the quiet exhaustion of a soul coming to terms with its own deeply felt destiny.
„Colindătorul” ▲▲▲ ALTCULTURE MAGAZINE Nr.107, 7/2026 ▲▲▲
Noi mai credem încă în cultură!
Abstract:
In the excerpt from Sub semnul lui 12, titled „Colindătorul” and authored by Ion Bogdan Martin, the narrative unfolds on Christmas Eve in 2014, capturing a domestic debate between Olivia, a principled judge, and Tibor, her pragmatic real estate counselor partner. Set against a backdrop of television news broadcasts covering historic weather warnings, international scandals, and religious history, the couple navigates contrasting worldviews on faith, skepticism, and justice. The atmosphere shifts from playful banter and tension regarding career choices to a touch of the uncanny when an enigmatic, humble caroler visits their apartment, refusing money and sharing spiritual parables before departing mysteriously. The excerpt concludes with an air of suspense as Olivia uncovers an unexpected package left beneath the Christmas tree.
revistă editată de Asociația ECOULTOUR – OAMENI, FAPTE, IDEI – Brașov CIF 34237932, ING Bank, RO94INGB0000999916569535
Noi încă mai credem în cultură! Poți ajuta imediat prin PayPal, REVOLUT sau pe contul asociației ECOULTOUR!
CULTURE TO THE PEOPLE!
▲ ANOTHER KIND OF CULTURAL MAGAZINE / Un alt fel de revistă de cultură ▲ 64 pag. color, MONTHLY / lunar ▲ Director&FOUNDER / fondator: EUGEN MATZOTA ▲ALTCulture (Online) = ISSN 2601 – 159X ISSN-L 2601 -159X ▲ PUBLISHED BY / editată de Asociația ECOULTOUR – OAMENI, FAPTE, IDEI
EDITORIAL BOARD / Colegiul de redacție: ciprian cristea, CORINA GHEORGHEZA, ADRIAN GRAUENFELS, CLAUDIU IORDACHE, NICHOLAS JORDAN. BOGDAN MARTIN, EUGEN MATZOTA (redactor-șef), CRISTIANA MIRANCEA, MARIUS OANȚĂ, EUGEN D. POPIN, GHEORGHE SCHWARTZ, NICOLAE ULIERIU
LAYOUT, DTP, WEBDESIGN: EUGEN MATZOTA; RESPONSABILITATEA ASUPRA TEXTELOR APARŢINE AUTORILOR. ALTCULTURE.MAG@GMAIL.COM
Did you like it? DONATE, please! PayPal REVOLUT: @eugenematzota