Matematică,  psihologie ritualică  și anatomie  la Cultura Cucuteni  din Eneolitic ▲ ALTCULTURE MAGAZINE Nr.102, 02/2026 ▲

Matematică, psihologie ritualică și anatomie la Cultura Cucuteni din Eneolitic ▲ ALTCULTURE MAGAZINE Nr.102, 02/2026 ▲

Matematică, psihologie ritualică și anatomie la Cultura Cucuteni din Eneolitic ▲ ALTCULTURE MAGAZINE Nr.102, 02/2026 ▲ Noi mai credem în cultură! De Cristian Horgoș Abstract: Mathematics, Ritual Psychology, and Anatomy in the Eneolithic Cucuteni Culture By Cristian Horgoș This study provides a radical re-evaluation of the Cucuteni-Trypillia civilization, moving beyond traditional archaeology to uncover a sophisticated "Pre-Academic" system of knowledge. Cristian Horgoș argues that the Neolithic inhabitants of the Carpatho-Danubian space possessed advanced insights into mathematics, ritual psychology, and anatomy—demonstrated by ceramic pigments that have outlasted modern industrial dyes by seven millennia and complex ritual choreographies (such as the Frumușica Hore) that suggest organized forms of education. The article places a significant focus on the Pre-Antiquity of Universal Constants, challenging established Western chronologies: Cucuteni vs. Stonehenge: While mainstream history often cites Stonehenge (3100–2200 B.C.) as a primary example of early Fibonacci-coded architecture, the author identifies similar geometric and numerical progressions in Cucuteni artifacts that predate the British megaliths. This suggests that the "Divine Proportion" and the Fibonacci sequence were not isolated discoveries, but a shared—and perhaps earlier—mental framework in the Eneolithic Balkans. Geometric Symmetry: Drawing on the work of Jung and modern symmetry analysis, the text posits that the Cucuteni mind used translations, rotations, and reflections in ceramic painting that mirror what we now call (Hyper)Euclidean geometry. Ultimately, Horgoș advocates for a shift in international perspective: rather than viewing the potter's wheel as a mere "utilitarian" invention, we should recognize the Cucuteni culture as an intellectual pinnacle where the "Divine Proportion" bridged the gap between the mundane and the sacred long before the rise of Greek philosophy.

DINCOLO DE GARDUL SISTEMULUI, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

DINCOLO DE GARDUL SISTEMULUI, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

Beyond the System’s Fence – A Manifesto for the Unrepeatable Soul Author: Eugen Matzota With the release of issue 101, ALTCULTURE moves beyond the symbolic milestone of survival into a stage of "interrogation without anesthesia." This editorial serves as a searing critique of the modern "System," which has evolved from ideological barbed wire into a sophisticated web of pixels and algorithms. The author introduces the concept of the "Absolute Mirror"—a technological promise of perfection that subtly strips humanity of its ability to wonder and its capacity for authentic emotion. To illustrate the danger of intellectual conformity, the text revisits a dark chapter of Romanian history: the 1951 Academy meeting. Led by Mihail Sadoveanu, the cultural elite of the time—including figures like George Călinescu—voted to symbolically "execute" the genius of Constantin Brâncuși, deeming him unworthy of the title of sculptor simply because he did not fit the party’s rigid ideological framework. By contrasting the "bent spines" of the past with the algorithmic traps of the present, the manifesto argues that honor and the "wound" of imperfection are the only true seals of originality. Issue 101 stands as a refusal to accept pre-packaged truths, choosing instead to seek the "Source" with a sharp mind and an upright spine, even when swimming against the current. DINCOLO DE GARDUL SISTEMULUI, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲ Noi încă mai credem în cultură!

Un landmark al cunoașterii ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

Un landmark al cunoașterii ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

This philosophical treatise explores the hierarchy of gnosis, asserting that the source of knowledge holds greater ontological significance than the knowledge itself. The author argues that direct experience serves as the "living source" of understanding, positioning the text merely as a transitional guide rather than a final destination. The article delves into several key conceptual pillars: • The Keepers: Those who possess direct knowledge and act as its primary repositories. • The Maestru: Defined by the unique capacity to understand the placement of every "fruit" within the Tree of Creation. • Mutual Recognition: A distinction is drawn between formalized knowledge—expressed through verifiable statements—and non-formalized knowledge, which resides in character, intuition, and empathy. Ultimately, Dobrescu posits that genuine truth is inseparable from moral integrity. He suggests that character acts as the final filter for recognition, concluding that the "man of truth" is never a "convenient" one, but a necessary pillar of authentic understanding. Un landmark al cunoașterii ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲ Noi încă mai credem în cultură!

BRÂNCUȘI: Marea Unificare între fizica cuantică și theometrie, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

BRÂNCUȘI: Marea Unificare între fizica cuantică și theometrie, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

Abstract Brâncuși: The Great Unification between Quantum Physics and Theometry This milestone article marks a profound intellectual convergence between two revolutionary research directions hosted by ALTCULTURE. By bridging Cristian Horgoș’s insights into Dynamic Gravity and Petru Solonaru’s "Theometry," we reveal Constantin Brâncuși not just as a sculptor, but as an "Architect of the Invisible." BRÂNCUȘI: Marea Unificare între fizica cuantică și theometrie, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲ Noi mai credem încă în cultură!

Brâncuși  într-adevăr a sculptat  cu lumina ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

Brâncuși într-adevăr a sculptat cu lumina ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

În pragului anului decretat „Anul Brâncuși”, ultima expoziție dedicată multiplului artist de la Hobița s-a bucurat de succes la Cracovia, fiind intitulată „Brâncuși. Sculptând cu lumina”. Dar scopul acestui eseu e să reliefăm indicii că Brâncuși a sculptat în mod științific cu lumina, pitind ecuații optice și luminice în opera sa de căpătâi, cea de la Târgu-Jiu. de Cristian Horgoș ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲ Noi încă mai credem în cultură!

DINCOLO DE GARDUL SISTEMULUI, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲

Rezistența în Republica Prostiei Fabricate, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲

Am ajuns la numărul 100! Hai să ne oprim o clipă și să lăsăm această cifră să respire… O sută de luni la rând, fără pauză, fără compromisuri, fără să cerșim aprobarea „Sistemului”. de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲ Noi încă mai credem în cultură!

77 Steps Toward the Light, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲

77 Steps Toward the Light, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲

Mulțumirea mea se îndreaptă în tăcere către Creator, sursa acestei vieți și ai celor 77 de pași care mi-au deschis ochii. Mulțumesc Teosofiei și celor trimiși să-mi fie oglinzi și tovarăși. Iar celor dragi, care m-au înțeles dincolo de cuvinte, le datorez faptul că Lumina nu a rămas o teorie, ci a devenit o cale. 77 Steps Toward the Light, de Eugen Matzota ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲ Noi încă mai credem în cultură!