Matematică, psihologie ritualică și anatomie la Cultura Cucuteni din Eneolitic ▲ ALTCULTURE MAGAZINE Nr.102, 02/2026 ▲ Noi mai credem în cultură! De Cristian Horgoș Abstract: Mathematics, Ritual Psychology, and Anatomy in the Eneolithic Cucuteni Culture By Cristian Horgoș This study provides a radical re-evaluation of the Cucuteni-Trypillia civilization, moving beyond traditional archaeology to uncover a sophisticated "Pre-Academic" system of knowledge. Cristian Horgoș argues that the Neolithic inhabitants of the Carpatho-Danubian space possessed advanced insights into mathematics, ritual psychology, and anatomy—demonstrated by ceramic pigments that have outlasted modern industrial dyes by seven millennia and complex ritual choreographies (such as the Frumușica Hore) that suggest organized forms of education. The article places a significant focus on the Pre-Antiquity of Universal Constants, challenging established Western chronologies: Cucuteni vs. Stonehenge: While mainstream history often cites Stonehenge (3100–2200 B.C.) as a primary example of early Fibonacci-coded architecture, the author identifies similar geometric and numerical progressions in Cucuteni artifacts that predate the British megaliths. This suggests that the "Divine Proportion" and the Fibonacci sequence were not isolated discoveries, but a shared—and perhaps earlier—mental framework in the Eneolithic Balkans. Geometric Symmetry: Drawing on the work of Jung and modern symmetry analysis, the text posits that the Cucuteni mind used translations, rotations, and reflections in ceramic painting that mirror what we now call (Hyper)Euclidean geometry. Ultimately, Horgoș advocates for a shift in international perspective: rather than viewing the potter's wheel as a mere "utilitarian" invention, we should recognize the Cucuteni culture as an intellectual pinnacle where the "Divine Proportion" bridged the gap between the mundane and the sacred long before the rise of Greek philosophy.
Brâncuși într-adevăr a sculptat cu lumina ▲ ALTCULTURE MAGAZINE Nr.101, 01/2026 ▲
În pragului anului decretat „Anul Brâncuși”, ultima expoziție dedicată multiplului artist de la Hobița s-a bucurat de succes la Cracovia, fiind intitulată „Brâncuși. Sculptând cu lumina”. Dar scopul acestui eseu e să reliefăm indicii că Brâncuși a sculptat în mod științific cu lumina, pitind ecuații optice și luminice în opera sa de căpătâi, cea de la Târgu-Jiu. de Cristian Horgoș ▲ ALTCULTURE MAGAZINE Nr.100, 12/2025 ▲ Noi încă mai credem în cultură!
